More Information Internet Security Policyīy using this site, you are agreeing to security monitoring and auditing. For more information, contact more information, please see the SEC’s Web Site Privacy and Security Policy. You can also sign up for email updates on the SEC open data program, including best practices that make it more efficient to download data, and SEC.gov enhancements that may impact scripted downloading processes. Please declare your traffic by updating your user agent to include company specific information.įor best practices on efficiently downloading information from SEC.gov, including the latest EDGAR filings, visit sec.gov/developer. Your request has been identified as part of a network of automated tools outside of the acceptable policy and will be managed until action is taken to declare your traffic. To allow for equitable access to all users, SEC reserves the right to limit requests originating from undeclared automated tools. This music is the result of years of research he conducted, both in private study and at the Royal Conservatoire of Antwerp (Belgium) into the historical connection between composition and improvisation, and he studied with some of the great masters of klezmer music.Your Request Originates from an Undeclared Automated Tool Welcome to a world of whirling virtuosity, mesmerizing beauty, benumbing sadness, light-hearted humor and never-ending dancing – come and join! That was also the view of the jury in the Bubbe Awards, organized by the Instituto da Musica Judaica in Sao Paolo (Brasil), who awarded one of the core pieces of the new record, “Khosidl für das neue Leben” with the second prize in the category “Best New Instrumental Piece”. Nicolaas Cottenie’s compositions connect both with the traditional sensibility of Eastern European music and the longings of modern music lovers, always finding new ways to sound fresh and inviting, interesting but still familiar. The expert rhythm section, featuring accordion (Ira Shiran), cello (Eline Duerinck) and percussion (Robbe Kieckens), have ample opportunity to show what they are capable of. The traditional sound of violins (Nicolaas Cottenie & Alina Bauer), clarinet (Anja Günther) and flutes & kaval (Marine Goldwaser) evoke the poetic beauty of the pre-modern world, harking back to a time when the only repetitive sounds to be heard were those of the trance-inducing rhythms of traveling orchestras who played through the night for dancers. Moments of ecstatic energy contrast with subtle manipulations of sonic timbre in moments of introversion and reflection, delicately inviting the listener to float and dream away. ![]() His original, surprising and expressive compositions, played with an abundance of virtuosity and passion, come together to make a multi-facetted and gripping album. ![]() Whereas Halva’s first album, The Sweetest Klezmer Orchestra (2019) stayed relatively close to the traditional sound of Yiddish music, on the second album, Dinner in Sofia (2021), Nicolaas Cottenie is looking for that place over the rainbow where Jewish, Bulgarian, Romanian, Greek and Middle Eastern music meet. It is music that speaks to the mind and the heart. The result is music that breathes a deep energy that invites to dance, with a touch of seriousness and moments of spiritual introspection here and there. Halva is the international ensemble with which Nicolaas Cottenie investigates the links between traditional Yiddish music and the music of the many cultures surrounding the Ashkenazim (the Yiddish-speaking Jews in Eastern-Europe): Greek, Hungarian, Turkish and even Western Classical Music.
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